Spring 2021 – Perpetual Earth Day – Monastic Community Good Stewards of God’s Earth
2020 marked the 70th anniversary of Earth Day and we were distance learning during the pandemic, so an exhibit was not possible. This year however we created an exhibit around the theme of Perpetual Earth Day.
The Benedictine monastic community takes a vow of stability. It is well suited to sustaining the natural environment for future generations. Our monks have been doing so for many years. So, this exhibit highlights some of these endeavors. Each of the buildings meets the highest standards for energy efficiency and beauty when it is built. But there are subtler signs of the ongoing commitment to the Good Stewardship of God’s Earth at the Abbey. Early pictures show a vast farm, a windmill and open space at water’s edge. From that came fields of corn and hay, sheep, beekeeping, wooden and stone bridges, as well physical symbols of our religious commitment here, such as cross hill, and the grotto (which was created with boulders from the land). The turbine, electric security cars, food grease reuse in the dining hall, repurposed cobblestones from a Fall River street project,in the administration courtyard, RISD challenge solar house, modular Blue homes, and the new science building each enhances the ongoing drive to steward and husband the gifts of God’s land. The monastery’s initiative in blocking an ARCO petroleum refinery planned for Arnold’s Point (where the white tower is) in the early 1970s was the occasion that established SAVE THE BAY since the monastery and they were partners in the cause. Perhaps the most significant endeavor to date however, is the lease of the 300 acres of land being committed to a golf course rather than to being sold, which perpetuates that open space for many years. Truly the Abbey is a beautiful example of care and concern for the natural environment. (R.S)
Spring 2021 – Fabergé Eggs
20 years ago this spring, 2002 we had an Easter display about these beautiful rare and fabulously expensive gifts of the Czar of Russia to his family members in the late 1880’s and the early 1900s. At the time they were mostly held by Malcom Forbes, (1919-1970) businessman and publisher, avowed capitalist, ambassador and wealthy collector.
“As Forbes amassed more eggs he was determined to possess more imperial eggs than the Soviet government. “It became essential for him to outdo the Kremlin,” recalls Géza von Habsburg, a former Christie’s executive, Fabergé expert and a Forbes collecting consiglier. And in 1985, he appeared to have accomplished that goal when he purchased the eight-inch, pearl-encrusted, violet-colored Cockerel Egg–which includes a functioning cuckoo clock–for $1.8 million. He also acquired the Coronation and the Lilies of the Valley–for roughly $2 million combined. With that acquisition, by Malcolm’s count, he owned 11 Fabergé eggs–a number that would grow to an even dozen by the time of his death in 1990–while the Kremlin had a mere 10. Forbes was started in September 1917,” notes Malcolm’s son Christopher.” (Adam Brown, Forbes, 9/19/17)
But as the Forbes magazine empire dwindled Mr. Forbes decided to auction his Faberge collection (180 items-12 eggs) in January 2004. At the time he held the largest grouping of eggs the held outside the Kremlin. Only 50 were made and 42 are known.
The estimate for the April sale was $90 million to $120 million dollars. The highlights were 9 jewel encrusted eggs, created by Carl Faberge, the single most expensive of which is “Coronation Egg” (1897) to mark the ascension of the throne of Nicholas II.
Then came the surprising news that Russian oil and aluminum tycoon Viktor Vekselberg (45) had purchased the Forbes collection of the nine Faberge eggs for an undisclosed price, pre-empting a public sale at Sotheby’s planned for April, using private negotiations with Sotheby’s Holdings Inc., People close to the deal say the price for the eggs and an additional 180 Faberge items owned by the Forbes family reached about for the sale of 100 million).”
Meanwhile since 1947 The Lillian Thomas Pratt Collection of Imperial Jewels at Virginia Museum of Fine arts has held more than 300 objects (with some Imperial and miniature Easter eggs) which were bequeathed by Ms. Pratt.
To compliment the materials in the case Mrs. Vesey created beautiful decorated pseudo Fabergé Eggs for over the catalogs and added information about he eggs that have not ben found yet! (R.S.)
Spring 2021 – The Fourth Estate: How Do You Get Your News?
In February, the library displayed books and items related to the Fourth Estate. The term Fourth Estate has its origins in France. Prior to the 1789 revolution, the French parliament was known as the Estates General. There were three estate groupings — the clergy (First Estate), the nobility (Second Estate), and the commoners (Third Estate). The press, which watched over the other three, was the Fourth Estate. In the United States, the term is sometimes used to place the press alongside the three branches of government: legislative, executive and judicial. The Fourth Estate refers to the watchdog role of the press, one that is considered important in a democracy.
Items featured in our display case included a memorabilia page from The Los Angeles Times, April 16, 1912 edition (featuring the Titanic tragedy) and a photocopy of the New York Times front page dated April 13, 1861, which included headlines related to the attack on Fort Sumpter, a seminal event that sparked the cessation of the Confederate states, which ultimately led to the Civil War. Various other items used to access the news, including a small TV (replica), radio, and iPad were also on display.
A nearby bookcase featured books and films related to the Fourth Estate, including The Murrow Boys by Stanley Gold and Lynne Olson, A Reporter’s Life by Walter Cronkite, The Chief by David Nasaw, American Pravda by James O’Keefe, Passport: The Global Lectures by author alum Christopher Ogden, Arrogance and Bias by Bernard Goldberg, Governing the News by Timothy E. Cook, What the People Knew by Richard Reeves, The New Censorship by Oel Simon, and The New York Times Page One, an illustrated history of the established newspaper’s front pages from 1900 to 1997. The films Cronkite Remembers, The Edward R. Murrow Collection, The Post, and Newsies were also on display. (MFV)